Barry Kernfeld
814-867-4288 (cell); bkernfeld@gmail.com http://www.barrykernfeld.com
POSITIONS
Staff archivist, Historical Collections and Labor Archives, Special Collections Library, the Pennsylvania State University, 2005–2014
Freelance writer on music, 1981–
EDUCATION
Cornell
University, 1975–1981, M.A., musicology (1978),
Ph.d., musicology (1981)
University
of California, Davis, 1972–1975, B.A., music
(1975)
University
of California, Berkeley, 1968–1970
HONORS
Association for Recorded Sound Collections award, "best history" in the category "best research in rock or popular music," 2012
Outstanding Academic Titles, 2002: Humanities: The New Grove Dictionary of Jazz," in Choice 40 (Jan. 2003): 752
Richard S. Hill award, Music Library Association, best article of a music-bibliographic nature, 1995
Grant-in-Aid,
Martha Baird Rockefeller Fund-for-Music,
1980–1981
Regents'
Scholar, University of California, 1968–1970,
1972–1974
PUBLICATIONS
BOOKS
author,
Pop Song Piracy: Disobedient Music Distribution Since 1929 (Chicago and London: University of Chicago Press,
2011)
author,
The Story of Fake Books: Bootlegging Songs to Musicians (Lanham, MD, Toronto, and Oxford, England: Scarecrow,
2006)
author,
What to Listen for in Jazz (New Haven, CT, and London: Yale University Press,
1995)
editor,
The New Grove Dictionary of Jazz, 2 vols. (London: Macmillan Press
Limited, 1988); unabridged reprint in 1 vol.
(London: Macmillan Press Limited, and New York:
St. Martin's Press, 1994; Chinese trans. 2009); revised and
expanded second edition, 3 vols. (London:
Macmillan Publishers Limited, 2001; acquired by Oxford University Press, 2003); electronic
edition at Oxford Music Online (2003–)
editor,
The Blackwell Guide to Recorded Jazz (Oxford, England: Blackwell
Publishers, 1991); updated paperback edition
(1992), translated as Die
Enzyklopadie des Jazz: Die Geschichte des Jazz
im Spiegel der wichtigsten Augnahmen (Bern,
Vienna, and Munich: Scherz, 1993); revised and
expanded second edition (Oxford: Blackwell
Publishers, 1995)
SCHOLARLY ARTICLES
"John Coltrane in Rudy Van Gelder's Studio," Names & Numbers, no.33 (April 2005): 2–7; no.34 (July 2005), 3–9, 14–15
co-author,
with Howard Rye, "Comprehensive Discographies
of Jazz, Blues, and Gospel," Notes:
Quarterly Journal of the Music Library
Association 51 (Dec. 1994): 501–547; (March
1995): 865–891
"Two
Coltranes," Annual
Review of Jazz Studies 2 (1983): 7–66
CONTRIBUTIONS TO REFERENCE WORKS
158
articles on jazz and blues musicians in American
National Biography, ed. John A. Garraty and
Mark C. Carnes (New York: Oxford University
Press, 1999); 8 further articles for the 2005 supplement; new articles 2014–, and advisory editor in the field of popular, 2015–, for the online edition of ANB, ed. Susan Ware.
"Jazz"
and "Blues" in Collier's
Encyclopedia (New York: P. F. Collier, 1997
edition)
350
jazz and blues biographies in The
New Harvard Biographical Dictionary of Music,
ed. Don M. Randel (Cambridge, MA, and London:
Belknap Press, 1996)
"Jazz"
in The Encyclopedia of New York City, ed. Kenneth T. Jackson (New
Haven, CT, and London: Yale University Press, 1995)
65
entries, mainly on jazz, in The
New Grove Dictionary of American Music, ed.
H. Wiley Hitchcock and Stanley Sadie (London:
Macmillan Press Limited, 1986)
100
entries on 20th-century African-American musical
terms, genres, and styles in The New Harvard Dictionary of Music, ed. Don M. Randel (Cambridge,
MA, and London: Belknap Press, 1986)
POPULAR PRESS
"Pop Song Piracy: Napster in the 1930s and the Story of Fake Books," Stay Free (June 2004): 32–34
"In the Mode: Modal Jazz and its Influences," Jazz Changes, no.6 (spring 1999): 23–25
PROFESSIONAL
ACTIVITIES
CONFERENCES
Invited
speaker, Copyright and the Networked Computer,
Washington, DC, 2003
"Pop Song Piracy, Fake Books, and a
Pre-History of Sampling," (Spanish trans.: http://barcelona.indymedia.org/newswire/display/358326/index.php)
Invited
speaker, Music Library Association Mid-Atlantic
Chapter, University Park, PA, 2003
"Napster in the 1930s: Bootlegging Song
Sheets"
Keynote
speaker, fifth Jyväskylä Summer Jazz
Conference, Finland, 2003
"Pop
Song Piracy: A History of Fake Books and
America's First Criminal Copyright Trials";
"The Making of The
Real Book"
Invited
speaker, Leeds International Jazz Education
Conference, England, 2001
"The 'Right' Changes: From the
Tune-Dex to The
Real Book"
Keynote
speaker, Prague International Jazz Conference,
Czech Republic, 2000
"Jazz Research Through the Eyes of
Grove"
Keynote
speaker, first Jyväskylä Summer Jazz
Conference, Finland, 1999
"The 'Right' Changes: How Fake
Books Have Altered Jazz"
OTHER
Historical consultant and cataloguer, Guernsey's jazz auction, Lincoln Center, Feb. 20, 2005;
estates of John Coltrane, Charlie Parker, Louis Armstrong, Gerry Mulligan, etc.
Jazz
disc jockey, WKPS, 90.7FM, State College, PA,
2002–2003
Jury
member, International Bird Award, North Sea Jazz
Festival, Netherlands, 1997–2000
Reed player, jazz and musical theater, 1972–1984, 1994
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